More fun with subtitles: familial philosophy

Posted in Communication, Idiomacies, Life Performance Art, Philosophy?, Popular Culture, The meaning of life with tags on July 4, 2008 by benigngirl

I am still watching dvds of The Wire. Some of the dialogue is too hilarious, especially when ‘exemplified’ by the visual of having the subtitles on. Sometimes I watch it in Spanish in order to brush up on my second language skills, which come in handy in Holyoke.

In this scene Nick, a stevedore from the harborfront, is trying to help get his hapless cousin’s camaro, “Princess”, back. Ziggy, the hapless one, got his camaro, and his new italian leather coat, jacked because he owes for some crack he bought from Frog, a white guy dealing for Cheese, a mid-level drug dealer who reports to Joe “Proposition Joe” Stewart. Ziggy had some corner dudes sell the crack for him but they ripped him off and now he owes Proposition Joe (via Cheese, via Frog) 2700$ which he doesn’t have. So Ziggy’s cousin Nick enlists the aid of a Serge, a Russian “businessman”, with a friendly relationship with Proposition Joe, to negotiate the return of princess and they ponder the need to take care of “burdensome” family members.

Scenes from The Wire, Season Two
Proposition Joe: This the man with the raggedy ass camaro?
Scenes from The Wire, Season Two
Nick: Wasn’t mine, it was my cousin’s. it wasn’t all that raggedy.
Scenes from The Wire, Season Two
Serge: Sorry. Nicky is with us. His cousin...
Scenes from The Wire, Season Two
Proposition Joe: You ain’t paying my boy Cheese, and Cheese ain’t paying me, right?
Scenes from The Wire, Season Two
Proposition Joe: But it ain’t like Cheese be in a position out on that corner…
Scenes from The Wire, Season Two
Proposition Joe: To let your cuz exemplify shit, you feel?
Scenes from The Wire, Season Two
Proposition Joe: I ain’t talking about all the money in the world…
Scenes from The Wire, Season Two
Serge: But family cannot be helped.
Scenes from The Wire, Season Two
Proposition Joe: Who you telling?
Scenes from The Wire, Season Two
Proposition Joe: I got motherfucking nephews and in-laws fucking up my shit all the time.
Scenes from The Wire, Season Two
Proposition Joe: And it ain’t like I can pop a can in their ass and not hear about it Thanksgiving time.
Scenes from The Wire, Season Two
Proposition Joe: For real, I’m living life with some burdensome niggers.
Scenes from The Wire, Season Two
Proposition Joe: So what the fuck?

The Book of Laughter and Forgetting

Posted in Free Pile books, Literary, Philosophy? with tags , on July 3, 2008 by benigngirl

Milan Kundera“I invent stories, confront one with another, and by this means I ask questions. The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for eveything.”

– Milan Kundera, From the Afterward, “A Talk with the Author”

EXCERPT From The Book of Laughter and Forgetting, Milan Kundera:

“When Thomas Mann was very young, he wrote a naïve, intriguing story about death. In the story death is beautiful, as it is beautiful to those who dream of it very young, when it is still surreal and enchanting, like the bluish voice of far-off places.

A young man, mortally ill, gets off a train at an unknown station. He walks into the town without knowing its name and takes rooms in the house of an old woman whose forehead is covered with eczema. No, I do not wish to go into what took place in the rented rooms. I only wish to recall a single minor occurrence: walking around the front room, the ill young man had the feeling that “in between the sounds made by his footsteps he heard another sound in the rooms on either side – a soft, clear, metallic tone – but perhaps it was only an illusion. Like a golden ring falling into a silver basin, he thought…”

That minor acoustic event is never developed or explained in the story. From the standpoint of the action above it could have been omitted without any loss. The sound simply happened; all by itself; just like that. The reason I think Thomas Mann sounded that “soft, clear, metallic tone” was to create silence, the silence he needed to make the beauty audible (because the death he was speaking of was beauty-death), and if beauty is to be perceptible, it needs a certain minimal degree of silence (a perfect criterion of which happens to be the sound of a golden ring falling into a silver basin).

(Yes, I know. You haven’t the slightest idea what I’m talking about. Beauty has long since disappeared. It has slipped beneath the surface of the noise – the noise of words, the noise of cars, the noise of music, the noise of signs – we live in it constantly. It has sunk as deep as Atlantis. The only thing left is the word, whose meaning loses clarity from year to year.)

She is standing across from 6 long necks with tiny heads and flat beaks that open and close noiselessly. She does not understand them. She does not know whether they are threatening, warning, appealing, or begging. And because she does not know, she feels immense anxiety. She is afraid something will happen to the golden ring (that tuning fork of silence), and she keeps it tightly closed away in her mouth.

Tamina will never know what they came to tell her. But I do. They did not come to warn or scold or threaten her. They are not at all concerned with her. They came, each one of them, to tell her about themselves. About how they ate, how they slept, how they ran up the fence, and what they saw on the other side. About how they had spent their important childhood in the important village of Rourou. About how they saw a woman in a knitted shawl over her head. About how they swam, fell ill, and then recovered. About how they had been young, ridden bicycles, and eaten a sack of grass that day. There they are, standing face to face with Tamina, telling her their stories, all at the same time, belligerently, pressingly, aggressively, because there is nothing more important than what they want to tell her.”

From The Book of Laughter and Forgetting, Milan Kundera

Another accident at Race and Dwight

Posted in Adventures and Interludes, Exhibits, being defensive, lessons in Art with tags , , , , on June 28, 2008 by benigngirl

Accident at Race and Dwight saturday, June 28, 845 ish pmIt was a somewhat vehicular evening, the common denominator being “vehicular”. When I lived on the north shore of Boston and commuted to my office in the leather district I always thought about making a blog with daily posts and pics of what I called the daily “Vehicular Altercations” but back then blogging software was not free, and, well.

The road rage was so rampant that I started listening to Howard Stern get in fights with his staff and guests as a means to remain calm for the duration of the commute; music merely added a soundtrack to the myriad rages and did not serve as distraction. On a weekend that ride took 45 minutes but at weekday rush hours - which was all hours between 5 and 9 am - it took 3 hours. I telecommuted 2 days a week but I felt lonely those days, even though I could do the laundry and wear a mud facial mask while I worked in my pajamas with those pedicure toe separator thingies inserted between little piggies going to market while my toe nail polish dried. I only used clear polish, BTW. Sometimes I ate bon bons while I worked.

Anyway, tonight I went to the Zea Mays reception at Wünderarts in Amherst, a really beautiful, spacious and somehow peaceful gallery - even jammed with people - showing really beautiful work by the Zea Maysers. (google asked “Did you mean: wonderarts Amherst, Ma” and I said no, I want the u and the dots)

The Printmaking Studio at Zea Mays in Florence, MAThe work that comes from Liz Chalfin’s Zea mays printmaking studio is all non toxically created and so beautiful that I want to ask her what her secret is. Some up-budget day I will take a class there, for certain, and then I’ll ask. Like that resonant scene in Six Degrees of Separation (wikipedia says “This article or section is in need of attention from an expert on the subject.”) where the Donald Sutherland character has a dream that he is in a Kindergarten classroom full of the most amazing art in the world, ever; ever. His character, “Flan”, wants so badly to be an artist but his skill lies mainly in making overloads of money. So he buys art and gets involved in vicariously monetary ways. I lived at 123 Sutherland Road in Brighton for years and thought of him often, as you might imagine.

Donald Sutherland in Six Degrees of SeparationIn his dream the Donald Sutherland character is awestruckishly wandering about the kindergarten classroom looking at the watercolors clothespinned to the dozens of clotheslines hanging from the ceiling. Then he encounters a woman, all in soft focus dreamscape. She is the teacher. He ups the awestruckness and, with tears in his eyes, humbly begs her to please tell him her secret for he has never seen such work. She smiles Mona Lisa-ishly at him and says, “I know when to take their paints away.” Brilliant scene. Maybe when I ask Liz Chalfin how all of the work coming from her studio manages to be so amazing she will say, “I know when to take their Prints/Inks/Relief Printing Linoleum/Inking Plates/Ball Grounds/Aprons/Lunch away”, or some such thing. She already knew to take their toxins away.

If Flan had wanted to be a writer and had a paralell dream I wonder what the Kindergarten teached would have said; “I know when to take their tangents and segues away.”, or, “I know when to take their extraneous topics away.”, or maybe even, “I know when to limit their punctuation palette.”

sartorial splendorOn the way to Wünderarts there was some sort of sartorially-enhanced function happening on or about the Lord Jeffrey Inn and a car in front of me braked fast for a parking spot and so I had to throw on the brakes as well. Then another threw open her car door right into my path and I had to swerve to avoid it. She was wearing a lovely dress which I noticed as she cluelessly unfolded from her car, simultaneous with my swerving and noticing.

I arrived to the reception unscathed due to hapful maneuvering and as I was driving into the parking lot (galleries with parking lots rock) I saw Dorothy Osterman and her son Jeff walking in and I waved and yelled so they smiled and waited while I hastily parked and caught up with them for hugs and comraderic arrivals and such. I am a big fan of Dorothy’s work and we reiterated my long ago promise to trade a website for a piece of her work. I can’t wait to own a Dorothy Osterman.

Other friends showed up late-ish because their car had broken down just 4 blocks away, which I felt was fairly decent of the car, so they called a tow truck and we chatted, for at receptions people chat.

Tow TruckAfter many huggings, fawnings, tapenades and lemonades, I left with my broken car friends to give them a ride to the tow truck and then back to Northampton. But when we got to my car I was embarrassed because there it was, appallingly parked all askew. My first thought was to blame the ubiquitous culprit Somebody, as in somebody unparked my car and reparked it obnoxiously, but I had a feeling it was me and my haste. My second thought was that it was high time to remove the State decal for Missouri that ovally reads MO from the bumper. I was embarrassed and I thought, given all the minor skirmishes, this is a day to be more careful driving, which is every day in Holyoke, really. I stop at every cross street in Holyoke even though the light/stop sign is on the cross street because someone seems to have painted all the stops signs with invisible ink. I have avoided many impacts to my passenger-side door this way. I have saved the lives of many passengers. When people come from out of town I tell them to slow way down at every cross street. I met a guy who got his car totalled here that way, by an uninsured driver no less. He was sad. I’ve met other hims, slammed into from swiftly and non-stoppingly approachers from side streets. I have also witnessed two hit and runs on the corner of Race and Dwight, across the canal from my studio, in which the hitter throws it into reverse and speeds off, sometimes followed by the hittee. It seems that public perception of Race Street is that it is eponymously named.

amoebaAs I dropped off my broken car friends in Northampton they said “be careful driving” because it was getting dark and they know that after dark the world to me resembles any of a large genus (Amoeba) of naked rhizopod protozoans with lobed and never anastomosing pseudopodia, without permanent organelles or supporting structures, and of wide distribution in fresh and salt water and moist terrestrial environments. Yeah–the lines on the road are like vague shapeshifting organelles to me after dark.

Back at my studio I was sitting in the garden about to dial up a friend with whom I had plans when I heard a louder than usual bang (I often ponder the volumes of such and wonder if they are fireworks or gunshots) and then a CRASH, in all capital letters, squealing tires, and then a horn on permanent honk and yellings, lots of yellings. So I called 911 instead as my heart was racing. You never know what you’ll say to a 911 operator or what you’ll say in any given emergency situation till after you say it. Later it’s not unusual to ponder what you said or did in a situation that does not allow for forethought. A friend told me a story once of driving with a few friends in a car when suddenly they were sliding down this really steep hill and it was apparent that a crash was imminent. And right before the impact the driver turned to her with a funny smile and said, “Here we GO…”

Amelia EarhardtSo when I got the 911 operator and I heard me say, “There’s been another accident at Race and Dwight”, it was telling.

Quotes from Six Degrees of separation:

Paul: Always remember the wine from the even numbered years is superior to the wine from the odd numbered years.
Ouisa: We could have been killed! Oh, my God! The Kandinsky!
Flan: The Kandinsky!
Ouisa: It’s gone, oh my God! Call the police!
Flan: Oh, no, there it is. Oh! The silver Victorian inkwell!
Ouisa: How can you think of that thing?
Flan: What kind of behavior is this?
Ouisa: Tell me Flan, how much of your life can you account for?
Flan: Are you drunk? What’s the matter with you? Don’t you realize how important she is? What are you unhappy about? The Cezanne sale went through, the Matisse went through, we’re rich! Rich enough. Next month there’s a Bonnard.
Ouisa: These are the times I could take a knife and dig out your heart! Answer me! How much of your life…
Flan: -my life can I account for? All of it!
[pause]
Flan: I am a gambler.
Ouisa: We’re a terrible match.

More characteristically dogged Bostonian reflections

Posted in Adventures and Interludes, Animal Stuff, Communication, Exhibits, art with tags , , , , , , , , , on June 26, 2008 by benigngirl

Sandy Skoglund Radioactive Cats Smith College Museum of Art

Image: From the collaboration files - My fridge (!) in the current Sandy Skoglund radioactive cats installation at Smith College Museum of Art. Those are cats. They are not giant cats. They are radioactive.

It’s been a gosh-icly reminiscent week. I guess this is Part Deux (the French bit will have relevance in a bit), as I wrote a post I now think of as Part One here. Part Deux spontaneously wrote itself because I am in a show in Boston coming up, posted about here. The reception is August 23, or so I think, so I am doggedly emailing all my friends and acquaintances in Boston in hopes of seeing some familiar faces at the reception. Next I’ll work on the email list of exes, none of which I left in Texas.

Henry Horenstein PoodleThe most memorable reception I ever attended in Boston was a fundraiser benefiting the MSPCA, featuring work by Henry Horenstein (Poodley example pictured at left) and an auction of caninely artwork befitting the cause. It was in the SOWA district–I kinda think it was the Bernard Toale Gallery but I am not positive and I can’t find any google results for it.

People were $25 to get in and “Good Dogs” were free. They served hot dogs, devil dogs, red dog beer, some sort of dog wine (Mad Dog 20/20? - that would have been hilarious) and in one room were 3 silver bowls on the floor, small medium and large; each logically filled with small, medium or large dog biscuits, respectively, for the canine guests. I noticed that people with dogs on leashes would nonchalantly glance about and then sort of look the other way and ‘accidentally’ drop their end of the leashes so the dog(s) could run free. I did the same. Jamoka had a blast and doggedly pursued this one hot bitch, to no avail. I don’t think she sniffed that his father was a show dog named, “Life of Riley”. On the way home I assured him that it was her loss. He liked to sit in the front seat and he liked to hold hands while we drove, although I had to drop his hand when I shifted. He understood that.

The gallery was near his daycare, Dog Day Afternoons, for which acceptance he had to show paperwork detailing his veterinarian history and go for an interview and answer questions like, “Where do you see yourself in 5 years?”, and, “What would you say are your weak points?”. The daycare was at the corner of Harrison and Melnea Cass and the local hoodlums boys would ride their bikes past and shout at the dogs to get them riled up and the dogs would all run along with them on their side of the fence, barking trash at them all the while. The woman who ran the daycare said to me one day about them, “I have to yell at them once in a while so they think they are pissing me off. Otherwise they stop hassling the dogs. The dogs so enjoy this game.”

Ridiculously cute Shar-Pei puppiesOne day when I picked up Jamoka after work I noticed a new Shar-Pei and casually asked if this was a new dog. The woman who ran the day care turned to me and whispered, “That’s Pei, he’s new and he doesn’t speak any english but we are doing the best we can. ” I thought it hilarious that she didn’t want to offend Pei, in a language he didn’t understand, by whisperingly pointing out that he didn’t speak said language. Not a Shar_pei, but rather a sharpieEvidently Pei’s owners were Chinese and taught the dog all words in Chinese which is logical since Shar-Peis are from China. This makes me think of sharpies because if you take out the dash, the name is like a typo of “sharpies”, and it is pronounced like how I would say “sharpie” in my fake french accent.

One day after dropping Jamoka off at Dog day Afternoons, I took a short cut that got me lost in that nearby neighborhood that’s always in the news for drivebys and other shenanigans. At a red light I was behind a bus when I noticed it was not moving even though the light had turned green and that the LED readout thingie on the back that usually read out the bus route number was alternately flashing the words, “CALL” and “COPS”. After a few such cycles I thought to call 911. They said “thank you very much, we’ll be right there”, so I asked “Oh. Should I wait?”, and they asked, incredulously, “are you still behind the bus?”, and when I nodded yes they said, impatiently, “get out of there now.”

So, back at the reception, everyone got doggie bags with Old Navy dog toys, accessories of sartorial splendor, liver pate treats, and travel meal packs. I went with a friend who was dogless so Jamoka got two gift bags, one for each hand. I’d like to go to another reception just like that. I wore jet black shedded Jamokan fur-lined clothing and a naturally dogged determination to get with the food and wine.

When delivering the ironing board to Boston, I hope to find time to get a Chacarero. That was a twice-weekly habit back in the day.

I have a few times dreamed of eating my Chacarero with extra hot sauce. I will bring a pile of them back for my friends. I miss the Barking Crab a lot too. I will bring my Airstream Landyacht so I can load it with foods I miss. I don’t miss meter maids though, come to think of it. Although, I owe my writing ‘career’ to meter maids and the love notes they frequently wiper-bladed to my windshield. There were nights I circled the block for ages to find a spot near my apartment and I’d get desperate and assess potential illegal spots by the price of the ticket like, it’s 20$ to park here but that hydrant would be $75, and so on. I have written some very creative and appealing letters to the parking clerk in the past and some of them have been fruitful.

Tiny Bleuets in the garden

Posted in Adventures and Interludes, Narcissisim, Philosophy?, Recipes, Special People, The meaning of life, Therapy on June 26, 2008 by benigngirl

Sugar-free Gluten-free blueberry muffinettes

It rained today and I had a nail in my tire and was already in my apron so I decided to make muffins.

Cowboy Curtis, vanilla, and blueberry muffinsI can’t really have sugar or flour or yeast and I had these blueberries and I wanted them to be wrapped in something so I went digging and found that I had some brown rice flour so I started experimenting. I don’t measure when I cook because that makes it less fun so I never know if things I make will be edible-much or not but I can’t be bothered, like Big Sue Tilley.

I mixed some brown rice flour (a cup, maybe?) with some coconut oil (probably kinda like 1/4 cup), and borrowed an egg (one) from a neighbor, some stevia powder (palmful). Then I added a little bit of water (somewhere in the tablespoons range, like, under 4 but more than 2) and the blueberries (loads) and gently mixed it all up with some pure vanilla. Then I put bunches of the batter into little teeny muffin tins. Cowboy Curtis bowing to Queen ElizabethThen, I noticed some toasted almonds lying about but they were salted. I put them on top anyway. As it turns out the salt on the almonds mixed with the blueberries is actually really good. I sprinkled some raw sugar on top before baking. I spun the dial and it landed at about 425 and cooked for maybe 10-15 minutes. They were actually good.


Then I wanted to take pictures of them so I took them outside and posed them on my Queen Elizabeth plate which belonged to my Grammie. But they lacked scale so I put Cowboy Curtis and a bottle of pure vanilla in the picture next to them to give you an idea.

Then Cowboy Curtis got all deferential to Queen Elizabeth. I hadn’t figured him for the wannabe Britishy type. So, while my friend Larry watched somewhat incredulously (we need a friend named Curly so that when we hang out people will not have to ask, “Where’s Curly?”), Cowboy Curtis got all knee-ly and praiseworthy and full of homage.
Cowboy Curtis was overcome with emotion and deference. Remember the episode on Pee Wee’s Playhouse where Pee Wee wanted to have a slumber party but Cowboy Curtis didn’t have any pajamas (”I sleep in the [raw] under the stars; I’m a cowboy” so Pee Wee asked Jambi for his wish for that day to be to make Cowboy Curtis some pajamas? And once they were made and Cowboy Curtis thanked Jambi he replied with a lecherous wink and said, “Anytime, Cowboy.” That show was genius.

Cowboy Curtis is not the John Wayne sort of cowboy. Cowboy Curtis is in touch with his feelings, on and off the range, and he’s not afraid to show them. So overcome was he at Grammie’s plate depicting the yound and beautiful Queen Elizabeth that he lost all sight of his native roots and fell on her.

Then, so smitten was he, he began to show off doing his limbo-ish strong man act and balancing a bottle of pure vanilla larger than himself on his 6 pack abs. Cowboy Curtis seemed almost shy on Pee Wee’s Playhouse but as soon as that Queen Elizabeth plate came out he was having at it, mugging for the camera. I think he was angling for a knighting. It seems people in the UK like to be knighted. I have never been. i will go and investigate this claim.

Contented Crackalure Cat (of the Song Dynasty) dropped by (gingerly, given his porcelainic qualities) and Cowboy Curtis tried to push him away and off the table in the garden which he now began to think of as his stage. Funny how people will act when there is a camera around. Cowboy Curtis was so blatant in pushing Contented Crackalure Cat (of the Song Dynasty) off the stage and out of his way. The garden table was apparently not big enough for two egos even though Contented Crackalure Cat (of the Song Dynasty), is really not very egotistical or competitive at all.

But then Cowboy Curtis, being no stranger to revelations and epiphanies, decided he could use Contented Crackalure Cat (of the Song Dynasty) as a supporting actor in this seemingly now-evolving one man circus/reality show and so Cowboy Curtis, having always fantasized about wearing glittery figure-enhancing getups while riding elephants around center stage, began to show off and risk the wrath of gravity.

But Cowboy Curtis and Contented Crackalure Cat (of the Song Dynasty) got tired so they had nap time together. A friendship was beginning to take shape. they look so angelic when they’re sleeping, don’t they? Even with eyes creepily wide open.

After their nap they posed for a few more pics and called it a day. Then we all had tea and Teeny Muffinettes Bleuets as we had no crumpets. but I will find a recipe and get out my kenner easy bake oven and make some.


Every day is like camping in this playhouse.

Big Sue, I know you didn’t have time to come out and stay on this trip across the pond but see what you are missing? We’ve gone faux british enough to make you feel oddly at home.

Fun with subtitles

Posted in Confusion, Idiomacies, Life Performance Art, Literary, Philosophy?, Poetry, The meaning of life, Therapy with tags on June 22, 2008 by benigngirl

Addendum: R.I.P. George Carlin

I don’t have TV so I rent TV shows on DVD. I watch them with the sound on the low side and turn the subtitles on because I have thin walls and don’t want to be a nuisance. Sometimes the subtitles are hilarious. Sometimes I watch them in Spanish so I can brush up in case I am ever in a situation and need to use my Spanish to save lives and all that.

Anyway–I was watching episodes of The Wire and there was this one scene in this one episode that was pretty hilarious for its dialogue and this was even more funny because of the subtitles on the screen. I was trying to picture the people that do the subtitles because sometimes the subtitles don’t match up the words exactly, although they manage to get the same point across. For this episode they left off like 1 in 3 of the (F) words, probably because there were only a handful of words in the whole scene and I they got bored of it. I bet the writers wrote this one after a late lunch on a Friday. It’s not that I think the word ‘fuck’ is so funny (I’m an adult now), or not. But a whole scene in which any one word makes up almost all of the dialogue–that’s pretty great.

So I took pictures of watching this one scene because I knew you’d want to experience the poignancy of the subtlety of the subtitled dialogue. These two detectives, Bunk and McNulty, are investigating a crime scene, as we watch! (!) The dead body pics are fake so don’t be scared - it’s not real, like everything in this self-indulgent blog.
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases

The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases

The Wire Season One, Disc two, Episode - Old Cases

The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases
The Wire Season One, Disc two, Episode - Old Cases

Case solved.

No dialogue was left out of this scene.

Shits and giggles

Posted in Animal Stuff, Communication, Confusion, Life Performance Art, Literary, Philosophy?, Popular Culture, Special People, The meaning of life, Therapy with tags , , , , , , , , , on June 20, 2008 by benigngirl

A WHOLE POST ABOUT POOP

This post is dedicated to my friend Carin who lives in another country overseen by another kind of leader and who calls me his ‘pusher’ because I am pushing him to share his wisdom in a blog (see!? You can make entire posts about shit), and to my late dog Jamoka.

Jamoka on the metaphor go round with Mother Theresa, scared piny and Sisyphus

Jamoka riding the chickens on the Metaphor-go-Round with Mother Theresa, Startled Pony, and Sisyphus. This is my most brilliant photoshop work to date. Although Mr. Sir says it is the monkey riding on escapegoatback.

Jamoka at the ballet where he worked as a greeter

” Please, please do not take a course on writing comedy!”

So reads a comment from Gnomus (my most loyal reader and insightful commenter) on None of this is funny, below.

The remark that spurred that post that spurred that comment, explored in the little un-funny rant (again, below and here), from a reviewer of a book I read that spurred scenes from a broken leg-ish life, really pissed me off; it smacked of that human habit of base and broad judgments such as , “he/she/it thinks he/she/it is so _______ (insert perceived positive self-attribute here) ish. ness. Why do we do that? Why is it not ok for others to have positive self-worth? Why is everything which is not serious automatically trying to be funny? I find that trying. Yeah–I tried to explain all that in the post mentioned and below. My friend Mike says every criticism he levels at another is really a self-criticism. Yeah, we mostly all do that. Although, Jamoka didn’t.

Jamoka appears in the ice outside my window after death, as photographed by Nona HatayI once wrote on my old website that my dog had written a book called, Who moved my poop?. This was when that bestselling self-help book, Who moved my cheese?, was in fashion. It was an allegory, not quite Kafka-esque, about meandering through the maze of life and making choices and inferences and so on. So my dog Jamoka, who was quite brilliant, decided to write his own allegorical, and far more Kafka-esque, in my opinion, guide to life using poop rather than cheese. Jamoka was poking fun at that cheesy book which was all the more funny because of its bestsellerdom. I learned a lot about life from Jamoka and I credit him with all of my insights. He now lives on as part of me and an iteration of his earthly vessel lives on my bureau in a carved wooden box.

My dog Jamoka in Rhymes with Orange, by Hilary PriceMy dog Jamoka in Rhymes with Orange, by Hilary Price

Anyway, then Hilary Price, who is a friend (oops! I still owe Hilary and Kerry a wedding gift…), made a cartoon in which Jamoka is signing his book. She drew all the dogs in our building as characters waiting to have their books signed and this includes Jamoka’s long time love, Prima (who in the strip is hugging her copy and looking proudly at her man), Jamoka and his longtime love, Primaas well as Hilary’s own dog and so on. I showed the strip and the ‘book’ to my father who sort of sniffed at it and said, “It’s not funny. I just don’t think it is funny at all” so I got a new father and he went off to find a new daughter of the Erma Bombeck or Dave Barry and societal hurdles and milestones and material accomplishmentary gain variety. No one insults my Jamoka. No one puts baby in a corner.

The most recent iteration of Jamoka’s soul is a small boy currently growing up in Nepal who will in a few years’ time be discovered as the next Dalai Lama but that has not happened yet. I admit to finding comfort in having that box there. I put glass bunnies on top (for him to chase but never catch because when Jamoka got close enough to chased animals to actually catch them he would back off but bark more as if to say “run you pesky woodchuck, you, for I am a big dog”) that my late friend Hans slipped into my overnight bag at one visit. Hans was always slipping things into my bags. Hans was so silly like that. He was hilariously decadently mischievous and fun-loving and bursting with unconditional love for the universe. I like to picture Jamoka now shenaniganing and pooping in another realm with my brother (who would be 46 yesterday, the 19th) and Hans (meandered off last year on June 22). They are probably throwing poop at passing cars and politicians.

Jamoka, yoAnyway - I noticed that Jamoka would go looking for his own poop on subsequent walks to the same place and would examine it, as dogs will examine all poops. Once Jamoka looked in a place he’d pooped at earlier and seemed to have a sense of urgence as it was no longer there. He looked around frantically and then looked at me beseechingly so I finally directed him to the moved poop and he achieved a level of calm and we resumed our walk. For he had inexplicably pooped in the middle of the trail which I thought somewhat inconsiderate of other people and dogs so while he ran ahead I had taken a stick and moved it to the side of the trail, into the brush.

Jamoka as Carmen Miranda in a broadway productionMostly Jamoka pooped on hills. No matter where we were he’d find a hill and balance precariously on it and conduct his business. He was a business man. I thought about this a lot. I still do, as you can see. It seemed there might be an important message in this. One time it was snowy and icy, a cold and wintry day. Jamoka climbed a steep hill and assumed the position and then, just when he was about to do business, he started to slide. So he climbed the hill again and resumed the position and again began to slide. This went on cyclically for quite a while with resumings and re-resumings. I tried to reason with him and helpfully point out other suitable locations but he was doggedly focused and determined. Finally he managed to get the job done. Then he ran off laughing and barked at a few squirrels in glee. I thought about this for a long time. It was pretty hilarious. It called to mind long gone philosophy classes and tales from Greek mythology and, of course, the plight of Sisyphus.

A gift, that. Jamoka allegorically and metaphorically explained to me the meaning of life, of existentialism, via excrementialism. (<–it occurs to me Gnomus, that had I not put in that excre bit, you’d have come to that all by yourself in the comments. Apologies.)

Jamoka and me, painted by Fran KidderSummary: (because Christie likes them) Jamoka performed an allegory of the TRUE meaning of life that day on the hill. He was, after all, fucking BRILLIANT.

Me and Jamoka, as painted by Fran Kidder

Baby: I carried a watermelon.
Baby: [to herself] I carried a watermelon?


None of this is funny

Posted in Communication, Confusion, Literary, Philosophy?, Therapy, being defensive with tags , , , , , , on June 18, 2008 by benigngirl

Mo Ringey snapshot of the wizard

I read a review of one of Caroline Knapp’s books when I was ‘researching’ my post about her the other day, which was critical, as reviews can be, but this one is sticking to the roof of my head. The reviewer, I forget who but it was a big name magazine person, said she just didn’t think she was funny and then compared her to a writer that the reviewer thought was funny. It’s funny, I never thought of Caroline’s writing (I refuse to adhere to that silly OLD rule of subsequent referrals to a subject by last name only. bleh. Rules are so ruley.) as being funny.

I thought her writing insightful and witty but not funny. It didn’t seem to be even trying to be funny. Maybe her intent was to just share her uncontrived thoughts as she had them and in the language that they came in. Maybe it was not contrived in any way and she thought somewhere in that grey area between serious and funny. It worries me - will people think I am trying to be funny? Because I don’t necessarily think I am funny and I don’t actually try to be anything - I just free associate my way through life, safely buckled into the passenger seat - although I do often laugh aloud at my photoshop brilliance.

Seriously, my bat house is brilliant. I want to live in it. My bat house has ironic glass floors. And I was sorta serious in suggesting that everyone within 50 miles of me should get a bat house to save me from mosquitoes and malaria. We are all in this world together. Help ever, hurt never and all that. I feel defensive of criticism leveled at my friend Caroline because I am protective of all of my friends, even ones I don’t have and have never met. I am defensive of my whole pretend world. Maybe I am simply batshit crazy. My therapist is so non-committal about such things; I cannot get a straight answer on that. I tell her that I often feel like an italic, something I have been feeling for decades according to my friend Mr. Journal. She seemed to silently laugh although I could not tell because I phone in my issues in order to indulge my growing agoraphobia and because she does not have a comfy chaise to lay my issued spinal column on.

It hailed the other day. So I looked up hail. ” Hail forms in thunderstorms that have recurring updrafts and downdrafts of air, she said. Rain falls, gets caught in an updraft, then rises high enough in the atmosphere that it freezes. It falls again, picks up a coating of rain, rises again, freezes again, and so forth, growing in each cycle. [source] Yes, of course. And the universe is a vortex of attraction, and gravity is a reliable flirt. [self source]

THIS BLOG IS ACTUALLY WRITTEN BY A MYSTERIOUS 80-YEAR OLD MYSTERY MAN IN AN UNIDENTIFIED TOWN IN AN ANONYMOUS STATE WHO POSES AS A MO FOR KICKS.

A Summer Fun Public Service Announcement

Posted in Activism?, Adventures and Interludes, Animal Stuff, Communication, Confusion, Philosophy? with tags , , , , , on June 17, 2008 by benigngirl

I think if I had a house and a yard I’d put in a bat house. I have been thinking about bats for weeks. Bat houses are about biocontrol - introducing natural predators of mosquitoes. According to the Encyclopedia Dramatica, ‘batshit crazy’ means insane. The symptoms of malaria in children mimic brain damage, or, insanity. It’s all related at the SuperOrder level.

Because my ankles are covered in mosquito bites that itch so insistently that they are scabbed over from scratching and the bites are so painful that I actually have to take a less hot shower than usual, I think I’d have a bat house. Bats are going to live somewhere so why not in my imaginary future yard. Bats eat 1000 mosquitoes per hour, each! Everyone who lives within 50 miles of me should have a bat house. Just a thought.

Image: Mosquito au Jus, prepared by my pretend raw chef and served on a silver platter, for my bat friends

Bats are part of the ecosystem and that whole Kingdom, Phylum, Class, Order, Family, Genus, Species thing (Random access memory is an unpredictable phenomenon - Every Good Boy Deserves Fudge, yo) so clearly they are here to stay. And when you (meaning me) build a bat house you don’t import bats from other far-flung places and thus increase the local bat population, you just lure existing local ones to your (meaning my) yard to eat said protozoan parasite carriers.

But really, it takes just one bite from a mosquito bearing the gift of Lyme Disease (often called Lyme’s Disease due that peculiar thing of adding an s to the end of all things, as mentioned in Meandering in tibial, fibulacular and other memorium) and it’s a killer affliction.

Time out–> eXpresso vs. eSpresso, eXscape vs. eScape (as in THE THIN WATERS OF ESCAPEGOATISM), all things pluralized, your vs. you’re, it’s vs. its, then vs. than, all things that remind me of days as a proofreader which was so boring that I’d like to forget, my own nonchalant and often clueless abstract punctuation, and so on - these are a few of the things that make my lower teeth hurt.

Okay-Lyme (without an s) disease is actually caused by ticks, BUT, mosquitoes can carry malaria, which is caused by protozoan parasites of the genus Plasmodium. “The females of most mosquito species suck blood (hematophagy) from other animals, which has made them the most deadly disease vectors known to man, killing millions of people (like me) over thousands of years and continuing to kill millions per year by the spread of diseases.” [source] So I am blaming mosquitoes for everything and trying to get everyone within 50 miles to be my ally in this war against the blood-sucking killer bitch mosquitoes from Hell. [Sweetly now,] If you had to walk a mile in my many dozens of mosquito bites you’d see it my way. I am a phenomenon, a freak of nature, a whatever-oxide major-output machine.

Ok again-malaria is not very common here and I got caught in a lie about mosquitoes causing Lyme Disease but this is my pretend war on mosquitoes and it is being played out by my rules.

Mosquitoes are attracted to the carbon whatchamacalli-oxide emitted by your body. Once I had a panic attack before a 23 hour flight, and they checked my levels with a clippy thing on my finger and I was 100% percent oxygenated. I felt proud, which eased my anxiety. But no wonder I get attacked.

Relatedly, years ago before a canyoneering trip in Escalante, Utah, I became temporarily obsessed (surprise!) with preparing for possible encountered dangers so I looked up things like how quicksand works (don’t struggle, it’s only waist deep usually, wait for help, use your cell phone, it’s denser than you are) and found this hilarious and sadly unpoachable animated drawing (approximated sans animation above) of a simple blonde man struggling in quicksand [see it here]; another threat - scorpion/rattlesnake bites (do not give the victim alcohol or narcotics - things one always brings hiking - suck the venom out); and hypothermia (light a fire?).

I also ‘researched’ why mosquitoes attack some people relentlessly and seem to ignore others. As it turns out they haven’t found a connection between virtue and mosquito attraction; in fact they found no substantial correlations at all except that there is a teeny correlation between number of bites and healthy vs non-healthy adults.

Image: I love my bats so I built them this house, fashioned after a resort I am hoping someone will take me to one day on Vahine Island. I made them a boat and some entertainment. I love my bats, even though they always get tangled in my hair when they try to show affection.

So I found this Bat Conservation International website, www.batcon.org (seriously) and found, “People all over the world have discovered the benefits and wonder of using bat houses to attract bats to their own backyards. We hope you will join them by providing new homes for these gentle and fascinating mammals with a voracious appetite for troublesome insects.

BCI’s Bat House Project can help you select (or build) and install successful bat houses. We have analyzed more than 10 years of data from thousands of volunteer Research Associates to determine the most effective ways to attract bats to your bat house.

What we have learned from this extensive research is available in an easy-to-apply format in the Bat House Builder’s Handbook, which includes complete plans for three proven bat-house designs, which is available from our online catalog, as are a number of BCI-certified bat houses.”

Maybe this amusement park includes Mr. Toad’s Allegory Ride in addition to The Metaphor-go-Round.

This has been a Public Service Announcement.

Lyme Disease Facts

Malaria and Your ability to reason or blog

One blogger’s brave campaign against uncomfortable mosquito bites

Meandering in tibial, fibulacular and other memorium

Posted in Confusion, Free Pile books, Literary, Special People on June 16, 2008 by benigngirl

Top image: My old and favoritest apartment, at The Peerless, at 1315 Commonwealth Ave, Boston, MA; looking from the foyer through the living room and onto my beloved little deck over the back alley where Elisabeth would give us all tarot card readings. Sometimes we’d go across the street for drinks at Play it again Sam’s and if the line for the bathroom was too long we’d run across the street [6 lanes and some subway tracks] to use mine. Women take forever in the bathroom.The Peerless, at 1315 Commonwealth Avenue, Boston, where I lived for 2 years.

I wake up between 4 and 5 most mornings (not on purpose) and I think (also, NOP). By 8 am I have not purposely thought for hours. Lately this is where I not purposely think aloud. This morning I also purposely scan. All of these images, save for those of Mr. Butch, cavalierly and purposely borrowed from sites cited below, are scanned from my collection (tattered box) of polaroids, snapshots and from prints from my BW Photography classes at Montserrat College of Art and, later, The New england School of Photography in Kenmore Square. A perusal of my images show a reckless do-si-do with contrast and tone I guess.

hennock, who owned the little sub-street level variety store a few doors from my apartment at the Peerless.

Another book from the free pile that I read this week (in addition to that excerpted below) is Drinking, A Love Story by Caroline Knapp which brought back so many memories of various nouns experienced during the nearly 15 years that I called Boston (proper, that is, as I always stubbornly managed to live and park in the city and not on the outskirts till the last 2 years when I began a process of extricating myself, which I only see now) my home. I used to read Caroline Knapp’s column in The Boston Phoenix regularly - it was mainly why I sought out a copy weekly rather than wait for one to land in my path - and marvel at her frank and candid self-assessment in the thinly-veiled form of her fictional character Alice K (”not her real initial”). As I read I felt a sort of limited lower rung parallel to some of her exploits as she frequented the kind of highbrow and pricey places I’d been to one or twice, as the guest of a friend or on some other such special occasion outing.

Caroline was one of a handful of Boston luminaries and characters that were at the front of common perception during the time which I lived there.Broken leg--before and after shots

Images: Left, Prophetically clowning around; Right, later - Not so funny anymore

A broken leg would inadvertently bring me to the periphery of many of these people. Oh the memories of trying to navigate rare forays to events at the opera and the museum in crutches (bad–> people in tuxes knocked me over a lot; people at the museum often brushed past me to cut in line for the exhibits that had limited space meaning friends had to always catch me) and then navigating the crowded neighborhood bars (good–> inebriated college students would helpfully clear a path for me and insist that I cut the line for the bathroom). But this is not that story.


Atop the tiki god pyramid, Martha\'s Vineyard, ca 1992 ishCaroline wrote of drinking regularly at the bar at the Ritz-Carlton Hotel (I had been to the bar there once and had also been to a snooty wine taster there), eating at Biba (I ate there twice and had an acquaintance who waited tables there - a very highbrow waiter type who got some measure of satisfaction from waiting at only the most expensive and elite joints and who literally sniffed at customers he felt beneath the establishments he presided over and who gave the uppity waiter cold-shoulder-silent-smack[!] to people who did that thing of putting an s at the end of proper names of places, i.e., Biba’s, Serendipity’s and so on. Why do people do that? Biba was simply called Biba. Oh, tangential, well.), eating at Pot au Feu (ha! I guess if you did the s thing it would be Pot au Feus or Pot au Fuse) in Providence where I’d eaten once with my friend Charlie (who could make a cup of coffee in his french press that tasted like Paris) while he was culinary school, and the like.

Hennock, in his store on Commonwealth Ave, Boston, ca. 1992

She spoke of drinking expensive wines and cognacs (I tried such things as a guest at wine tasters with my Sommelier/Concierge/Drag Queen neighbor when he was too mad at his boyfriend to bring him), spent time at the family summer home in Martha’s Vineyard (I went there twice), went to Brown (I drove by it once), and wore expensive shoes (I often taped pictures of expensive shoes to the wall in the back of my closet and would consider wearing them and then opt for the ones from Budget Plastic Shoe World). We’d lived in some of the same neighborhoods like the North End - although the similarities ended at the neighborhood line as I used the word ‘fabulous’ more loosely in describing the places I rented (never bought) - and we covered a lot of the same terrain unsurprisingly, as Boston is both big and small.

In 1991 I looked at her a few times from about 20 paces. She looked nice, poised, yet unapproachable. She was, after all, famous. I had broken my leg in 2 places, cleanly shearing through both tibia and fibula, and hairline fractured a few ribs in a spectacular skiing accident in which I sailed off a cliff and into a few small trees at Attitash in an attempt to avoid 2 skiers suddenly encountered as I rounded a sharp turn on an expert trail I’d been skiing all day with friends.

They were standing, just standing there in the middle of the trail, totally blocking it, looking downhill as if in over their heads and trying to find a safe route down. Skiers will know this phenomenon; ski patrol friends often told tales of the daily lectures sharply and redundantly doled out to inexperienced skiers about the safety considerations of standing on the side of the trail rather than in the middle and heeding the symbols suggesting the skill level required to navigate trails with things like black diamonds. I’d been skiing for 18 years at that point and was a good skier, not a great one, and a cautious one, my days of getting lit in the woods with friends and then screamingly skiing through the branchy, off-limits and dangerous terrain long gone and a fear of velocity and spectacular accidents having taken over.

Anyway - after a morphine-filled week in traction with snow-filled trash bags covering my body from the waist down (I thought this ingenious) and heating lamps aimed at my upper body and a subsequent 3 weeks learning to navigate life in crutches including bathing, climbing stairs, and carrying things in my teeth from the fridge to the counter, I returned to work where I was feted with a big welcome back party with signs and cards and bagels and cream cheeses, which after lunch turned into a massive layoff party with haggard bagels and crusty cream cheeses, to which I was also invited.

My boss felt bad so he made some calls and got me a short term freelance job doing paste-up at The Boston Phoenix. I couldn’t drive because I had this huge brace on my leg (image above) to keep it in place while it healed, with the help of a 14″ titanium rod inserted through the center of the now vacuumed-out tibia, and said brace was so big that I couldn’t make it only press one of the pedals of my standard transmission at a time. So I took the bus from my apartment in Oak Square (at that time an unfashionable and somewhat dodgy neighborhood) to Kenmore Square and crutched the whole 6 or 7 blocks past Fenway and to the offices of The Boston Phoenix. I was afraid. I was keenly aware that anyone could just walk up to me and pluck one of my crutches from under my arm and I’d be instantly immobilized and have to sit on the sidewalk and wait for help. This was before cell phones.

That first day I got off the bus and immediately Mr. Butch came up to me and said, “I will walk you there, where are we going?” and thus began a daily ritual in which Mr. Butch met me at the bus and walked me to work all while sharing random insights such as “You are a child of the moon, your leg will heal.”

I felt safe and I felt slightly cool because only the coolest people in Boston actually knew Mr. Butch, although Mr. Butch was so cool that he did not discriminate, and I felt honored that he even talked to me, let alone walk me to work each day. Some days he was waiting for me at 5 when I got out. I wished I could let him live at my apartment but he’d not have any of that.

Mr. Butch was a fixture in Kenmore Square and he stood in front of The Rathskeller every day for a few decades. He was extremely tall and thin with wild ear-length dreadlocks which stuck out more sideways than the long ones do. He looked like a fireworks display. Everyone knew Mr. Butch. He chose to live on the streets. Friends helped him and tried to get him into residential places but he wouldn’t do the detox required as he chose to live his life of alcohol and weed and the streets. He was always happy, as people are who live the life they want rather than the life they feel they should. Local shopkeepers gave him food, he slept in friends’ band practice places, on their couches, in ATM foyers. He sometimes wore signs letting everyone know what he needed like food or money - my favorite was when he’d wear a handlettered sign that said “I NEED WEED” - and he seemed to be well taken care of. I mourned the end of that freelance gig because I would have no reason to take my daily walk with Mr. Butch.

At the Phoenix there was a mixture of suits and jeans types. There was the very big editor who would sometimes wander into the art department with his wild curly hair and mustache, expensive cowboy boots and largeness, trailing smoke behind. Sometimes he’d drop an ash in my general direction.

Hennock on the roofI lived at 1315 Commonwealth Ave in a building called The Peerless. Lots of buildings in Boston had names. I befriended a neighborhood variety store owner, Hennock, who also had dreadlocks and who once ‘hired’ me to shoot him for his cd cover. Hennock told me about growing up in Jamaica or Trinidad (I forget exactly) and how he respected trees and rocks and how his dreadlocks felt physical and emotional pain. I liked different shots than he did. He could not understand why I would shoot him from the back for one image, which I loved. We shot on a roof to which he had access in East Boston and I was scared. My friend Kenny helped by always standing behind me because I feared backing up too far. I had to shoot the sky separately and double burn it in. All of my images would require loads of darkroom finessing and my friend Belinda and I had long talks in the dim and eerie light while we dodged and burned. Sometimes we sang songs. I had her over once for banana daiquiris and then we were going to go see my boyfriend’s band play at The Kells but the bananas weren’t yet ripe enough so after just one we felt too unsettled to go out.

Hennock, outside his store, comonwealth Ave, Boston

After that I worked at a very hip record store. It was the early 90s, there was a recession and the papers were full of stories of former CEOs selling their houses at a loss and waiting tables. Work was hard to find. Homelessness increased, people were desperate and scared and a posted job opening meant like 5000 applicants. A woman in the next town won like 5 million in the lottery and the papers were full of soundbites the next day of her saying “I totally plan to keep my job and I am going to buy my parents a bigger house. But money hasn’t changed me.”

ElisabethAt the record store everyone was in a band except me. I had gotten the job through my beautiful and delightfully lovable and kooky roommate Elisabeth who always wore hats and was a self-proclaimed ’scenester’ and knew just everyone. At the record store everyone wore either goth attire or jeans and cowboy boots. I stood out I guess. I admit to wearing mascara and lipgloss then. It was pointed out to me at least once that I was ‘mainstream’. Years later I was a bridesmaid at Elisabeth’s wedding. All the bridesmaids rented a house at the cape where the wedding was held and I ended up mediating a few incidents as I was something of the mainstream outsider. One night the most tattooed of them, who wore Doc Maartens with her bridesmaid dress, commented on my underarms so I was forced to admit to the whole house that my neighbor, whose descriptive title by now read “Sommelier/Former Concierge/Electrologist/Drag Queen, had traded with me; design work for treatments a la his new electrologist hair removal business. She replied with apall, “It’s so permanent, what if you want that hair back?” Not to be I-Told-You-So-ish but to date I have not wanted it back, BTW, and remain timidly and permanently tattoo-free.Mo Ringey Self-portrait

Image: Self-Portrait, in front of The Peerless.

————Zzzzzzzzzzzzip! This is rambling way too long. My memories have taken over the zoo. I am going to scan a bunch of pictures from my black and white photography class at Montserrat and stop rambling now.

Epilogue - Mr. Butch died last year when he crashed his scooter into a telephone pole in Allston. Caroline Knapp died in 2002 - two months after a cancer diagnosis and one month after her wedding. One of these days I will go back to The Peerless to see if Hennock is still in his store.

Addendum: Boston memories part Deux posted here.

[sources]:

Mr. Butch Boson Globe obit

More Mr. Butch

Mr. Butch, Wikipedia