Goya and Cholla and the Betwixting Art Connection
By Sandra Chereb, Associated Press Writer
RENO — His artwork has been described as having the “fire of Pollock” and the “fixed gaze of Resnick.”
Now, a Reno artist will be making his international debut, having been invited to exhibit his work in a juried art competition in Italy.
He won’t be going abroad, however, to bask in the aura of great Italian masters. Instead, this artist will remain at home, contemplating his next masterpiece while gnawing on his paintbrushes — between mouthfuls of hay.
Cholla (pronounced CHOY-ah) is a mustang-quarter horse mix whose paintings have been featured in art exhibits from San Francisco to New York and now overseas.
His creation, The Big Red Buck, was selected for exhibit in the 3rd International Art Prize Arte Laguna, Oct. 18-Nov. 2, Mogliano Veneto, Italy.
Since Cholla rhymes with Goya I decided to make this an educational post. Preferably and pointedly after the plein air pony pics with palette and poserly poise. I am stuck on alliteration today.
Amazing coincidental facts about Goya and how they relate to Cholla. It is truly inexplicable, the similarities betwixt the two artists. A true head scratcher…
Similarities between Goya and Cholla, besides the rhyming thing:
Goya: Goya was born in the small Aragonese town of Fuendetodos (near Saragossa) [ed. note— I read this at first as ‘Freudetodos which would mean ‘all Freud’ or, ‘totally Freudian’, as in totally Freudian town. Imagine that…] on March 30, 1746. His father was a painter and a gilder of altarpieces, and his mother was descended from a family of minor Aragonese nobility.
Cholla: Horses are often seen as noble.
Goya: In 1771 Goya went to Italy for approximately one year. His activity there is relatively obscure; he spent some months in Rome and also took part in the Parma Academy competition, in which he was successful.
Cholla: ” His creation, The Big Red Buck, was selected for exhibit in the 3rd International Art Prize Arte Laguna, Oct. 18-Nov. 2, Mogliano Veneto, Italy
Goya: One of the nicest of Goya’s paintings, “The Love Letter”, painted 1812-1814, was issued by France for Stamp Day 1981.
Cholla: Horses are very loveable.
Goya: Straightforward candour and honesty are also present in Goya’s later portraits, such as Family of Charles IV (1800, Prado), in which the royal family is shown in a completely unidealized fashion, verging on caricature, as a group of strikingly homely individuals.
Cholla: Horses can do straightforward canter, in a straight line, which is like straightforward. The canter, or lope, is the fastest of the three gaits
Goya: The Black Paintings (c. 1820, Prado), chilling scenes of witchcraft and other bizarre activities, are among the most outstanding works of the artist’s late years. They were originally painted in fresco on the walls of Goya’s country house and are now transferred to canvas. Painted predominantly in blacks, browns, and greys, they attest to his progressively darkening mood, possibly aggravated by an oppressive political situation in Spain that forced him to leave for France in 1824.
Cholla: Horses often come in blacks, browns and greys.