Maya Anjelou’s mother does not have a saying for this
Maya Angelou’s mother is/was wise (I’ll have to check on her whereabouts). I want to ask her what she would say about things like this.
I am merely posting about this and have no commentary. But then, that doesn’t feel much like a blog post. So–in a random and blindfolded way I will open 3 different books that are in my currently reading pile (I always read books in threes and have no idea how that happened) and insert quotes. Then it will feel like I made a real post. With peachy pasted quotes.
———-Article from Yale Daily News———-
Published Thursday, April 17, 2008
Beginning next Tuesday, Shvarts will be displaying her senior art project, a documentation of a nine-month process during which she artificially inseminated herself “as often as possible” while periodically taking abortifacient drugs to induce miscarriages. Her exhibition will feature video recordings of these forced miscarriages as well as preserved collections of the blood from the process.
“They a pain.”
“Yeh. Wish I’d listened to mamma. She told me not to have ’em too soon.”
~Sula, Toni Morrison (I swear to god that this was a random blindfolded quote and not chosen on purpose. Sigh. Who’ll believe me? So random yet so oddly, twistedly related. I hardly believe me.
The goal in creating the art exhibition, Shvarts said, was to spark conversation and debate on the relationship between art and the human body. But her project has already provoked more than just debate, inciting, for instance, outcry at a forum for fellow senior art majors held last week. And when told about Shvarts’ project, students on both ends of the abortion debate have expressed shock . saying the project does everything from violate moral code to trivialize abortion.
But Shvarts insists her concept was not designed for “shock value.”
“Simon was shocked. He had detected nothing more than the usual amount of lubrication at such moments. There had been nothing of plastic or foam rubber or metal on or in her.”
~Venus on the Half Shell, Philip José Farmer
Ok–that is too weird. And this puts me in a bad position. I honestly chose 4 books to quote from and by their titles there was no way I could know I’d choose quotes that looked purposeful or snarky by covering my eyes with my Showergirl Terrycloth Beautycap and opening each book. Now I look like he who doth protest too much. I hope the third quote is totally irrelevant.
The “fabricators,” or donors, of the sperm were not paid for their services, but Shvarts required them to periodically take tests for sexually transmitted diseases. She said she was not concerned about any medical effects the forced miscarriages may have had on her body. The abortifacient drugs she took were legal and herbal, she said, and she did not feel the need to consult a doctor about her repeated miscarriages.
Shvarts declined to specify the number of sperm donors she used, as well as the number of times she inseminated herself.
Art major Juan Castillo ’08 said that although he was intrigued by the creativity and beauty of her senior project, not everyone was as thrilled as he was by the concept and the means by which she attained the result.
During that time I let all the houseplants die. After the book was finished I noticed them; the plants hung completely black dead in their pots on the bay window. For I not only let them die, I had not moved them. During that time, I told all my out-of-town friends they could not visit for a while.
~The Writing Life, Annie Dillard
I guess this has rather turned into an experiment. The result is that I no longer believe in randomnicity.
“I really loved the idea of this project, but a lot other people didn’t,” Castillo said. “I think that most people were very resistant to thinking about what the project was really about. [The senior-art-project forum] stopped being a conversation on the work itself.”
Although Shvarts said she does not remember the class being quite as hostile as Castillo described, she said she believes it is the nature of her piece to “provoke inquiry.”
“I believe strongly that art should be a medium for politics and ideologies, not just a commodity,” Shvarts said. “I think that I’m creating a project that lives up to the standard of what art is supposed to be.”
The display of Schvarts’ project will feature a large cube suspended from the ceiling of a room in the gallery of Green Hall. Schvarts will wrap hundreds of feet of plastic sheeting around this cube; lined between layers of the sheeting will be the blood from Schvarts’ self-induced miscarriages mixed with Vaseline in order to prevent the blood from drying and to extend the blood throughout the plastic sheeting.
There is no one strong color note here to start the action as in the Perugino, nor one sharp value-contrast. In fact, value-contrasts of almost equal attraction are dispersed throughout so that our eye seems to move quickly and constantly over the entire painting. Unlike the other work, where details are massed and there are large restful, unbroken areas, the whole surface is broken up by the scattered knotty clouds (note how they are organized in the Perugino), the sharply contrasting plants, and the harshly defined stones — an agitated surface which enters into the excitement of the moment.
~Learning to Look; A Handbook for the Visual Arts, Joshua C. Taylor
Sigh. I am dropping this experiment.
Schvarts will then project recorded videos onto the four sides of the cube. These videos, captured on a VHS camcorder, will show her experiencing miscarriages in her bathrooom tub, she said. Similar videos will be projected onto the walls of the room.
School of Art lecturer Pia Lindman, Schvarts’ senior-project advisor, could not be reached for comment Wednesday night.
Few people outside of Yale’s undergraduate art department have heard about Shvarts’ exhibition. Members of two campus abortion-activist groups . Choose Life at Yale, a pro-life group, and the Reproductive Rights Action League of Yale, a pro-choice group . said they were not previously aware of Schvarts’ project.
Alice Buttrick ’10, an officer of RALY, said the group was in no way involved with the art exhibition and had no official opinion on the matter.
Sara Rahman ’09 said, in her opinion, Shvarts is abusing her constitutional right to do what she chooses with her body.
“[Shvarts’ exhibit] turns what is a serious decision for women into an absurdism,” Rahman said. “It discounts the gravity of the situation that is abortion.”
CLAY member Jonathan Serrato ’09 said he does not think CLAY has an official response to Schvarts’ exhibition. But personally, Serrato said he found the concept of the senior art project “surprising” and unethical.
“I feel that she’s manipulating life for the benefit of her art, and I definitely don’t support it,” Serrato said. “I think it’s morally wrong.”
Shvarts emphasized that she is not ashamed of her exhibition, and she has become increasingly comfortable discussing her miscarriage experiences with her peers.
“It was a private and personal endeavor, but also a transparent one for the most part,” Shvarts said. “This isn’t something I’ve been hiding.”
The official reception for the Undergraduate Senior Art Show will be from 6 p.m. to 8 p.m. on April 25. The exhibition will be on public display from April 22 to May 1. The art exhibition is set to premiere alongside the projects of other art seniors this Tuesday, April 22 at the gallery of Holcombe T. Green Jr. Hall on Chapel Street.
My Random seems to be broken. I’ll have to measure it with my Densitometer and recalibrate it. My countability is off too. That was actually 4 books.
I wonder how many people will find the very successfully random link hidden within the peachy goodness. Which makes me think of another of my favorite recipes…
Buy peaches. Ripe peaches. must be very ripe otherwise this experiment will certainly fail and you’ll break down sobbing in front of your guests.
So, invite friends over and grill things and eat them. But before they come over take a pile of peaches and cut them in half and take out the pits and put them in a bowl. Toss some olive oil on them and roll them around and let them sit at room temperature.
After dinner bring out the peaches. Grill them on the grill. Don’t even clean it first. They like a freshly used grill. Grill them good. Then serve over organic vanilla bean ice cream. It is totally OMG. But, don’t get the super processed ice cream with High Fructose Corn Syrup. Get the nice organic stuff. HFCS has been said to render lab rats infertile. It also messes with your hypothalmus and sends a signal to your brain that you are hungry. So the more you eat, the hungrier you feel which leads to overeating. Is this is why this country has obesity problems out of sync with the overall world population?
As a matter of fact–other countries have banned HFCS. So if you go to another country and buy a coke you are drinking an export version made with pure cane sugar. Sometimes you can buy that version here during Passover.
From The Murky World of High-Fructose Corn Syrup- “The male rats [given Fructose] did not reach adulthood. They had anemia, high cholesterol and heart hypertrophy–that means that their hearts enlarged until they exploded. They also had delayed testicular development. Dr. Field explains that fructose in combination with copper deficiency in the growing animal interferes with collagen production. (Copper deficiency, by the way, is widespread in America.) In a nutshell, the little bodies of the rats just fell apart. The females were not so affected, but they were unable to produce live young.” [source]
And get vanilla BEAN ice cream. Vanilla comes from a bean. The vanilla bean ice cream has visible specks of vanilla bean. Life is short–eat real vanilla.
This recipe is simple and is always a huge hit. I sent it to Stephen Hawking the other day. He was psyched and sent me a mathematical theory as a thank you. I am trying to figure out how to apply it.